Queen Jeonghyeon, Seongjong's third wife and one of the very influential queens consort in Joseon history, was interred beside him in 1530, thirty-five years following his death. Her tomb sits beside the king's mound, discussing exactly the same harmonious surroundings and architectural layout. The queen is remembered on her political acumen and benefits to religious patronage, particularly in supporting Buddhist temples during an occasion when Confucianism was the state ideology.
The tomb's proximity to Seongjong's reflects the dynastic emphasis on marital unity even in demise, symbolizing timeless companionship and reinforcing the Confucian values of loyalty, propriety, and hierarchical familial relationships. The third tomb within the Seonjeongneung site goes to Master Jungjong, Seongjong's 2nd boy and the eleventh ruler of Joseon. Fitted as king following a coup deposing his half-brother Yeonsangun, Jungjong's reign was noted by equally reformist attempts and political 오피스타 , in addition to the infamous literati purges.
He was hidden elsewhere but was later reinterred at Jeongneung in 1562 by his daughter Master Myeongjong. Unlike Seongjong and Queen Jeonghyeon's tombs, Jungjong's stands alone, somewhat eliminated within the exact same site, symbolizing probably the political turbulence of his reign and the complicated dynamics of Joseon noble succession. The tombs collectively function as a testament to the enduring rituals of state Confucianism and the dynastic reverence for ancestors that governed Joseon society.
What makes Seolleung particularly impressive is their seamless integration of Confucian habit structures, geomantic principles, and creative craftsmanship. Each tomb is encircled by a rock wall known as "byeongpungseok," built to ward off evil tones and demarcate the holy space. In front of the burial mounds are rock statues of civil officials, military officers, and guardian creatures such as for instance tigers and lamb, each meticulously carved to shar